CPP Aardvark DoorStormers from pie face on Vimeo.
this collaboration piece is our final video for the CPP Aardvark project.
Had great fun making it and love to watch it
Enjoy!
CPP Aardvark DoorStormers from pie face on Vimeo.
As I looked into the inspiration for Guillermo Del Toro for the previous exercise, I thought that using the same person but looking into their work in a different way would be useful in further developing my knowledge of said person, whilst also relating it to the ideas of Post Modernism.
I decided to choose ‘Appropriation’ as my starting point and then see if, and how, it links with Del Toro’s work.
Instead of looking with a broad spectrum in mind, I thought the ideas behind Post- Modernism and Appropriation would be easier understood by focusing in on a single piece of work or even a single scene within his films. With this in mind, I began to think back through all his films I’ve watched and ended up on ‘Pan’s Labyrinth’. As I had looked into the concept of Translation within our chosen pathway, I already knew what I was looking for. My chosen scene is inside the Pale Man’s Lair in which you can see where Del Toro has used the concept of Appropriation in order to create a mood and feeling about this character.
Post Modernism is sometimes described as being, 'a shift from production to reproduction' (Heartney, 2001, p6) and the case of Appropriation, the reproduction aspect is 'taking possession of something, or taking something over' (Ward, 2003, p210). This concept is usually referring to taking something without permission, however, the original artist in the case of Del Toro's source, has been dead many years thus meaning permission would be impossible.
(http://knowledgenews.net/picturethis/goya_saturn_devouring.jpg, Steve Sampson, 29/09/09)
The 'appropriation' of Goya's 'Saturn devouring one of his children' is used within the film 'Pan's Labyrinth' through both concept as well as elements being used as part of the inspiration and creation of the Pale Man character. Through looking at both this image as well as an image of the Pale Man, you can see that Del Toro has copied the eyes.
(http://media.photobucket.com/image/pale%20man/zoyd2000/panslabyrinth-paleman.jpg, anon, 29/09/09)
This direct copy of the eyes allows similar feelings to be conjured up between each character, especially if the audience is familiar with the Goya painting. Appropriation, in this case isn't as obvious as other examples, where whole pieces are taken and then just recreated over and over again. The most common examples of this would be the Queen's head and Mona Lisa.
Another example of Appropriation within this scene is the paintings on the wall of the Pale Man's lair. As the camera pans round, we focus in on a series of paintings depicting the events in which the Pale Man has taken part in. These look as if Goya's Saturn would have done this whilst also looking like the Spanish civil war paintings that he did. This is probably more of a 'Parody' of said paintings however, as they are not mocking the paintings, can it really be classed as a Parody. Its not Pastiche as Del Toro defiantly has knowledge of the paintings as well as the events which caused them. This brings us back to these paintings falling under the 'appropriation' category.


The first influence I looked at is Jack Kirby (1917-1994). As co-creator of Captain America, Fantastic 4, X-Men and The Hulk, he was and still is, one of the most prolific and influential comic book artists. As an artist and creator of comics, he wanted to work in all areas of the industry including Story telling. This is similar to the way in which Del Toro works. Although he works as director and storyteller, he also works along side the costume designers for his creatures, adding his own style and creative input. The reason he does this is because he designs his own characters within his sketchbooks. This is also similar to the style in which Jack Kirby worked. Although he didn’t always draw the characters within the comics, he wanted to design them and so added his creative input. The inspiration for Del Toro’s Hellboy films (comic character designed by Mike Mignola) also came from Jack Kirby’s ‘The Demon’. He used the ideas behind this comic book as a basis for the personality and character traits of Hellboy. The Demon being a good guy with an evil image, ‘not quite a villain but always sparking with little flushes of chaos inside’
The next of Del Toro’s influences was a huge part of Hollywood. Ray Harryhausen mastered the art of Motion picture Special Effects, more specifically Stop Motion Photography. Ray Harryhausen loved to work by himself and this meant that the SFX that he worked on sometimes took 2 or more years to do. Harryhausen worked on many classic films, such as ‘Jason and the Argonauts’, ‘The Beast from 20,000 Fathoms’ and many more. The idea of Stop Motion effects and the hand made characters/ monsters have influenced Del Toro’s creative style within his films. Within Guillermo Del Toro’s films, he prefers his creatures to be prosthetic creations as apposed to CGI. This can be seen when watching the special features on the HellBoy films. In this, most of the creatures are created using prosthetics and materials. This gives an organic feeling to the characters as apposed to a plastic feeling to them. Both Harryhausen and del Toro were influenced by the orgininal King Kong.
Another one of Guillermo Del Toro’s influences is the work of Stan Winston (1946-2008). Winston is a Oscar Winning SFX creator and make up artist. His portfolio includes many films including Terminator as well as the creating full scale animatronics of Jurassic Park. It’s this use of make up and animatronics along with Prosthetics that have influenced Del Toro to use this similar style. Guillermo Del Toro, in most circumstances, will create the creatures in his film, whether they need to be 8ft or 3ft. Anything beyond this would be harder to make and so, its this point in which he relies on SFX. Stan Winston as also worked with another one of Del Toro’s inspirations. Rob Pottin worked with Stan Winston on ‘The Thing’, one of Del Toro’s favourite films for prosthetically made creatures.
Chuck Jones: ‘Animation isn’t the Illusion of Life, it is Life’
Guillermo Del Toro: ‘ All movies should be designed like animation, where the style is the substance’
It was at this point in which I realised that Del Toro likes to create his films in the style of a cartoon, so that the characters should affect their surrounds and the atmosphere, like they would do in Bugs Bunny, One of Chuck Jones’ animations.



















| 1. | to give off bubbles of gas, as fermenting liquors. |
| 2. | to issue forth in bubbles. |
| 3. | to show enthusiasm, excitement, liveliness |